The past few weeks have offered a stark contrast between clear vision and impaired vision. This unlikely illustration began with the train wreck of a Meeting of the Megalomaniacs when Donald Trump and Kanye West met in the Oval Office to discuss Everything That Is Important to Trump and Ye. And a few days later a stunning, riveting and immediately historic film “The Hate You Give” was shown in theaters across the country and the truth of life in black America was on the wide screen once more.
First the White House Circus Maximus – for reasons best known to his fans and celebrity addicts, what Kanye West thinks and says seems to be important to some people. The art of his music is an acquired taste for some and the answer to the meaning of life for others. However, there is no reason to believe that there is anything that has prepared him to be remotely aware or informed about the major issues of the day – domestic, international or intergalactic.
Yet, however unhinged from reality Kanye West may be, he turned out to be more than a match for Donald Trump who somehow thought that it would be a good idea to meet with a black celebrity so that he could fake-brag about his connection to, and concern for, black Americans. The only thing that was more amazing than Ye’s rant and rampage through the wilderness of his mind, was the fact that he was able to get Trump to shut up for more than ten minutes. If for only those brief moments of peace on earth Kanye West should get some kind of award.
The tragic aspect to this meeting is that as football legend Jim Brown sat in bemused silence while Trump and West went through this imaginary conversation, the White House sound machine tried to portray this as a serious meeting to discuss serious issues in the black community. And with that Trump has added further insult to the daily injuries that he is inflicting on the national black community. But due to their impaired vision of reality, Trump and Kanye really believe that their meeting was a matter of positive importance.
But speaking of vision, “The Hate You Give” has turned out to be one of those motion pictures that does more than entertain. The film is certainly entertaining but director George Tillman, Jr. goes much further than that. With a seriously outstanding cast of black and white actors, “The Hate” informs viewers about the tragic hypocrisy and the seemingly eternal chasm between the American dream and black America. The clear-eyed and unblinking vision of a country that discriminates, demeans, degrades and kills its citizens because of their race is simply undeniable.
There will be very few black viewers of “The Hate You Give” who will not relate to the experiences of the black characters. And there will be too few white viewers of “The Hate” (if they even take the time to skip “A Star is Born” and “The Wife”) who will be able to relate to the experiences of the black or white characters. And it is that racial divide that tells us all how far this country has to go to even begin to be something like a truly United States of America.
But there is no doubt that as murky as the vision of the Trump-West summit might have been, the vision presented by “The Hate You Give” is that clear and undeniable.
And finally, George Tillman, Jr., screenwriter Audrey Wells and lead actress Amandla Stenberg must win Oscars for Best Director, Best Screenwriter and Best Actress if there is even a scintilla of justice to be had in the 2019 Academy Awards.
As always, we shall see.